The first edition of Joel Augustus Rogers’s now legendary 100 Amazing Facts About the Negro with Complete Proof, published in 1934, was billed as “A Negro ‘Believe It or Not.’” Rogers’s little book was priceless because he was delivering enlightenment and pride, steeped in historical research, to a people too long starved on the lie that they were worth nothing. For African Americans of the Jim Crow era, Rogers’s was their first black history teacher. But Rogers was not always shy about embellishing the “facts” and minimizing ambiguity; neither was he above shock journalism now and then.
 
With élan and erudition—and with winning enthusiasm—Henry Louis Gates, Jr. gives us a corrective yet loving homage to Roger’s work.

In the second season, Gates's investigation takes on the personal and genealogical histories of more than twenty luminaries, including Ken Burns, Stephen King, Derek Jeter, Governor Deval Patrick, Valerie Jarrett, and Sally Field.

The companion book to Henry Louis Gates, Jr.’s PBS series, And Still I Rise—a timeline and chronicle of the past fifty years of black history in the U.S. in more than 350 photos.

Beginning with the assassination of Malcolm X in February 1965, And Still I Rise: From Black Power to the White House explores the last half-century of the African American experience.

Latin American Edition of 'Black in Latin America'

Segundo Henry Louis Gates Jr., a história da diáspora africana é em grande medida a história dos ciclos econômicos - mineração, açúcar, tabaco, pecuária - das colônias europeias no Novo Mundo. A partir da descoberta da América, milhões de homens e mulheres foram transportados em horríveis condições até portos como os de Havana, Veracruz e Salvador. Aqueles que sobreviviam à viagem em geral trabalhavam até a morte nas fazendas, minas e cidades coloniais, assim como seus descendentes.

• 25th anniversary edition of Gates's landmark work of cultural studies

New to this Edition:

• New preface written by the author
• New afterword written by noted critic W. T. J. Mitchell

Henry Louis Gates, Jr. helps leading artists, politicians and others discover the surprising stories within their own family trees. Each episode weaves together stories from cutting-edge DNA analysis and old school genealogical detective work.

Henry Louis Gates Jr. presents a vital new four-hour documentary series on Reconstruction: America After the Civil War. The series explores the transformative years following the American Civil War, when the nation struggled to rebuild itself in the face of profound loss, massive destruction, and revolutionary social change. The twelve years that composed the post-war Reconstruction era (1865-77) witnessed a seismic shift in the meaning and makeup of our democracy, with millions of former slaves and free black people seeking out their rightful place as equal citizens under the law. Though tragically short-lived, this bold democratic experiment was, in the words of W. E. B. Du Bois, a ‘brief moment in the sun’ for African Americans, when they could advance, and achieve, education, exercise their right to vote, and run for and win public office.

In 1915, African American newspaper editor and activist William M. Trotter waged a battle against D.W. Griffith’s notoriously Ku Klux Klan-friendly blockbuster The Birth of a Nation, which unleashed a fight still raging today about race relations and representation, and the power and influence of Hollywood. The Birth of a Movement features Spike Lee, Reginald Hudlin, Henry Louis Gates, Jr., and DJ Spooky.

In his new six-hour series, Africa's Great Civilizations, Henry Louis Gates, Jr. takes a new look at the history of Africa, from the birth of humankind to the dawn of the 20th century. This is a breathtaking and personal journey through two hundred thousand years of history, from the origins, on the African continent, of art, writing and civilization itself, through the millennia in which Africa and Africans shaped not only their own rich civilizations, but also the wider world.

Season four of Finding Your Roots series moves fluidly from Asia and Africa to Europe and the Americas, uniting us all through emotional moments that enrich and enlighten—encouraging us to look at our world through a wider, more inclusive lens.

Season three of Finding Your Roots explores how diverse racial, religious and ethnic backgrounds challenge many of our long-held national myths.

One of the leading cultural critics of his generation, Albert Murray was also the author of an extraordinary quartet of semi-autobiographical novels, vivid impressionistic portraits of black life in the Deep South in the 1920s and '30s and in prewar New York City. Train Whistle Guitar (1974) introduces Murray's recurring narrator and protagonist, Scooter, a "Southern jackrabbit raised in a briarpatch" too nimble ever to receive a scratch. Scooter's education in books, music, and the blue-steel bent-note blues-ballad realities of American life continues in The Spyglass Tree (1991), Murray's "Portrait of the Artist as a Tuskegee Undergraduate." The Seven League Boots (1996) follows Scooter as he becomes a bass player in a touring band not unlike Duke Ellington's, and The Magic Keys (2005), in which Scooter at last finds his true vocation as a writer in Greenwich Village, is an elegaic reverie on an artist's life. Editors Henry Louis Gates Jr. and Paul Devlin round out the volume with a selection of Murray's remarkable poems, including 11 unpublished pieces from his notebooks, and two rare examples of his work as a short story writer.

This Norton Critical Edition of Solomon Northup’s harrowing autobiography is based on the 1853 first edition. It is accompanied by Henry Louis Gates, Jr. and Kevin Burke’s introduction and detailed explanatory footnotes.

The Portable Nineteenth-Century African American Women Writers is the most comprehensive anthology of its kind: an extraordinary range of voices offering the expressions of African American women in print before, during, and after the Civil War. Edited by Hollis Robbins and Henry Louis Gates, Jr., this collection comprises work from forty-nine writers arranged into sections of memoir, poetry, and essays on feminism, education, and the legacy of African American women writers. Many of these pieces engage with social movements like abolition, women’s suffrage, temperance, and civil rights, but the thematic center is the intellect and personal ambition of African American women. The diverse selection includes well-known writers like Sojourner Truth, Hannah Crafts, and Harriet Jacobs, as well as lesser-known writers like Ella Sheppard, who offers a firsthand account of life in the world-famous Fisk Jubilee Singers. Taken together, these incredible works insist that the writing of African American women writers be read, remembered, and addressed.

These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature.

Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset's "Negro Folk Tales from the South" (1927), Zora Neale Hurston's Mules and Men (1935), and Virginia Hamilton's The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly.

Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like "The Talking Skull" and "Witches Who Ride," as well as out-of-print tales from the 1890s' Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation―a spider who plots and weaves in scandalous ways―The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of "Negro folklore" that Booker T. Washington proclaimed had emanated from a "grapevine" that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar's volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris's volumes by creating cartoon characters drawn from this African American lore.

From Toussaint L’Ouverture to Pelé, the Dictionary of Caribbean and Afro-Latin American Biography will provide a comprehensive overview of the lives of Caribbeans and Afro-Latin Americans who are historically significant. The project will be unprecedented in scale, covering the entire Caribbean, and the Afro-descended populations throughout Latin America, including people who spoke and wrote Creole, Dutch, English, French, Portuguese, and Spanish. It will also encompass the full scope of history, with entries on figures from the first forced slave migrations in the sixteenth centuries, to entries on living persons such as the Haitian musician and politician Wyclef Jean and the Cuban author and poet Nancy Morejón. Individuals will be drawn from all walks of life including philosophers, politicians, activists, entertainers, scholars, poets, scientists, religious figures, kings, and everyday people whose lives have contributed to the history of the Caribbean and Latin America.

This compact volume offers a full course on the remarkable, diverse career of Frederick Douglass, letting us hear once more a necessary historical figure whose guiding voice is needed now as urgently as ever. Edited by renowned scholar Henry Louis Gates, Jr., and Pulitzer Prize–nominated historian John Stauffer, The Portable Frederick Douglass includes the full range of Douglass’s works: the complete Narrative of the Life of Frederick Douglass, as well as extracts from My Bondage and My Freedom and Life and Times of Frederick Douglass; The Heroic Slave, one of the first works of African American fiction; the brilliant speeches that launched his political career and that constitute the greatest oratory of the Civil War era; and his journalism, which ranges from cultural and political critique (including his early support for women’s equality) to law, history, philosophy, literature, art, and international affairs, including a never-before-published essay on Haitian revolutionary Toussaint L’Ouverture.