The Hutchins Center for African & African American Research

Keisha N. Blain & Annette Gordon-Reed, ‘Four Hundred Souls: A Community History of African America 1619-2019’

Alumni Fellows Virtual Reading Series - Friday, April 23, 1:00pm
Suzanne Blier, 'Picasso’s Demoiselles: The Untold Origins of a Modern Art Masterpiece'

W. E. B. Du Bois Research Institute Colloquium Series - Wednesday, April 28, 12:00pm
Spring Semester Virtual Events

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Meet the Fellows Class of 2020-2021

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Somnyama Ngonyama: Hail the Dark Lioness

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HutchinsCenter Virginia, 1662. White Backlash to Elizabeth Key’s Black Freedom. New law: children born in the colony “shall be held bond or free only according to the condition of the mother.” #stories of America’s founding era at t.co/1N4SXi9aeD #behindthedata t.co/AuBLWuKlqr t.co/n5RTND61Em

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HutchinsCenter Virginia, 1655. Elizabeth Key sues for her freedom. A jury agrees she inherits the condition of her freeborn White father, not her enslaved African mother. Case provokes first White Backlash in North America. t.co/1N4SXi9aeD #stories #behindthedata t.co/AuBLWuKlqr t.co/ojsvB2WztB

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Hutchins Center Launches Selma Online
55 years after Bloody Sunday, the fight to guarantee voting rights continues

Discover the curriculum at selmaonline.org
The Extraordinary Commission: Student Activism and the Birth of Afro-American Studies at Harvard

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Cooper Gallery Permanent Collection

Browse the Ethelbert Cooper Gallery of African & African American Art's permanent collection.

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Afro-Latin American Art: Building the Field

The Afro-Latin American Research Institute is forming a continent-wide research network of scholars interested in the study and promotion of Afro-Latin American Art.

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Issue 127

Transition's first trilingual issue, Afro-Latin America, features a range of voices testifying to the diversity of black experience across Latin America.

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Du Bois Review Volume 15

Color Matters: Race, Ethnicity, Crime, and Justice in Uncertain Times

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