Transition 109

Many of the artists featured in issue 109, "Persona," make their livings making themselves up—Renée Stout buying new potions for her “shop” as the root worker Madam Ching, or Rashaad Newsome drawing on “the equalizing force of sampling” to create his own language and title in the heraldic tradition. But even for these performance artists, persona shades into personality, and their theatrics don’t seem so different from the daily wardrobe decisions of metalheads in Botswana, or, at the other end of the spectrum, the highly tuned persona, personality, and apotheosis of personhood that is Oprah herself. As Ms. Winfrey might say, you are your hardest role yet. The craft of the self is unmasked in this issue, revealing the sleight of hand at play in Paul Laurence Dunbar’s famous words: “We wear the mask.” There’s a special ring to it in the African diaspora.

Read the issue on JSTOR

 

Read Tope Folarin's 2013 Caine Prize-Winning Story, 'Miracle'

View Tope Folarin event photos


Featured Article:  My Mother's House           #OpenAccess

by Rachel Kaadzi Ghansah
Ghansah reverses the Great Migration, going south with her fiancé to find and lose her way among the ghosts of family graves.

 

Contributors: Delphine Diaw Diallo, April Dobbins, Laurent Dubois, Lisa Gail Collins, Tope Folarin, Soren Forsberg, Rachel Kaadzi Ghansah, LaToya M. Hobbs, Chantal James, Eli Jelly-Schapiro, Christopher J. Lee, Robin Coste Lewis, Frank Marshall, Rashaad Newsome, Joanne Petit-Frére, Keegan Simon, Renée Stout, Carolyn J. Trench.

 

 

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